Life is a Cabernet

Wine Wisdom By Mike Stepanovich


Scroll down to see these topics:
  • Paso Robles: the hottest wine region in California right now
  • France: Champagne, Rhone River Valley, Alscace
  • LA Weekend wine getaway: Disneyland & Beyond

Paso Robles the hottest wine region in California right now

Paso Robles the hottest wine region in California right now, with over 170 wineries open for business. And seven years ago, who’da thunk it? Back then, 32 wineries were there, and informal polls showed that half those wineries’ weekend tasting room visitors were from Bakersfield (20 percent came from Fresno and 30 percent from the rest of the state, principally Southern California). Today that number is drastically different, with vintners saying half their weekend visitors are from the San Joaquin Valley, and half from everywhere else.

In short, Paso Robles has been discovered. Just how massive is the tourist trade? At least one Santa Barbara County winery – Firestone – has built a prominent and opulent tasting room in Paso Robles at Airport Road and Highway 46 to take advantage of the market. You might have thought that after “Sideways” the reverse would be true.

The magnet, of course, is wines. Vintners such as Stephan Asseo of L’Aventure, Justin Baldwin of Justin Vineyards and Winery, Gary Eberle of Eberle Winery, the Haas family of Tablas Creek, Lance and Claire Silver of Tobin James Cellars, and the Hope family of Treana are producing superb wines that reflect the character of the region. And they’re not alone. New wineries such as Vina Robles, Bianchi, Calcareous, Niner, Halter Ranch and Silver Stone (it recently won the best of show for its tempranillo at the Los Angeles International Wine Competition) are earning bragging rights of their own, and are helping push the entire region to new heights.

It’s not the sleepy burg it used to be. It’s exciting, fun, tantalizing, yet with the small-town charm – charm that continues to leak from Napa – still intact.

Crowds are encroaching on that charm, and a daytrip for tasting can now be bit of a hassle. But it’s still not like Napa. “I’ve had people from the Bay Area come to Paso Robles and tell me, ‘It’s 45 minutes to Napa, and three hours down here, but we come here because in Napa the prices are high, we feel harried and it’s crowded; here, we’re greeted with a smile and made to feel that you’re glad we’re here,’ which we are,” said Lance Silver, proprietor at Tobin James Cellars.

Cel – it’s short for Celia – Tustin of Silver Stone Wines in Paso Robles echoed Silver. “I absolutely agree with him,” she said. “We’re seeing people from Orange County, and it’s much the same story. And Napa’s not offering any better wine than what I can get here. What we have going for us here – and visitors recognize it – is we’re a community. We help one another. If you need help, ask your neighbor.”

Limousines are a common sight now in Paso Robles ferrying aficionados from winery to winery. It’s not uncommon for a limo-load of Cal Poly students from nearby San Luis Obispo to pull up to Eberle Winery’s front door, which makes founder Gary Eberle secretly wince – no doubt his staff as well. Yet he never turns anyone away. “Those college students today are my customers tomorrow,” he says. “They remember that they were treated well here, and in later years they come back.”

Likewise Silver never turns anyone away, and he’s always intrigued by his tasting-room visitors. “One of the most amazing things about the demographics of the people who walk into our tasting room is that we get everybody from 85-year-old retired college professors to college students and everything in between. It’s a great cross section of society that we get here. We also have an advantage of seeing people at their best – they’re on vacation or on their way to the coast. They’re not having problems with their car, or paying bills; they’re having a great time.”

Eberle, who has been making wine in Paso Robles since 1972 and has witnessed the phenomenal growth the past few years, says the crowds are younger and more knowledgeable. “We’re getting a much younger crowd than in the past, and in the last 10 years a much more wine sophisticated crowd. Now they now the differences between wines; there’s just a greater level of sophistication over all.”

Plus Paso Robles is beginning to earn a reputation as the Rhone region of California, a further attraction as Rhone wines – syrah, viognier, russanne, Grenache and others –grow in popularity. Vintners say it’s pointless to try and push cabernet sauvignon as the region’s top grape because Napa – and to a great extent Sonoma County – long ago became synonymous with cabernet. Now the goal is to make Paso Robles synonymous with Rhone wines.

Silver said the wine press “likes to plant a flag for each area saying that it specializes in this or that. Napa is cabernet. We make more cabernet than Napa, but have any of our cabs got the same recognition as Napa? No. So if the media says this is the Rhone zone, I guess that’s OK because five years ago they didn’t label us as anything. Anything that gets people to come visit our area is fine by me.”

And once they come, Paso Robles vintners want them to return, so hospitality is still an important component of the Paso Robles wine scene. “When you come in our door, you’re greeted immediately,” Eberle said. “We don’t charge to taste, you don’t have to buy a glass, and you can taste everything we have open.”

Silver said his staff is an important part of his tasting room ambience. “We hire people behind the bar that really love people. I can teach them about wine but I can’t teach them to love people. We don’t say ‘no’ here, we say ‘no problem.’ We try to exceed every visitor’s expectations.”

Silver and Eberle are two vintners who don’t charge for tasting, and don’t plan to. “I think that wineries that charge do it as a deterrent for people looking for free alcohol,” Silver said. “We don’t charge because of our attitude about hospitality. And we usually sell something to everybody – at least a bottle or two – so it’s no problem. On Saturdays, it gets a little wild. We see a lot of limos and bachelorette parties. I’m sure we get picked because we don’t charge. We’re hoping people walk in here, enjoy the experience and take something home with them. I’ve talked to several big buyers (people who purchase wine by the case) who say they’re put off by places that charge, and they don’t go there.”

Eberle encourages wineries not to charge for tasting. “I think you ultimately make more money if you don’t,” he said. “If you’re trying to recoup what you pour, something is wrong. There’s got to be a reason to taste the wines other than that I’ve got a pretty face. The wines have got to be good. And your tasting room staff has to be friendly. Treat people well. Talk to them. We have found that if you charge, you relieve your tasting-room visitors of any obligation they might feel to purchase something. We hear a lot of them say they won’t go back to such-and-such winery because it charged (to taste). Some places charge, and let you keep the glass. But people don’t want another 95-cent Libby glass. Some places say they charge to taste, then apply what they charge to a purchase. That’s OK.

“But if the wine is good and you treat people right they’re going to buy from you. Even if you only scare away one customer out of 10 or one out of 20 (by charging to taste) that’s a long-term loss. What we want to do is make friends and have them come back again and again.”

And visitors to Paso Robles do come back again and again. Eberle doubled the size of his tasting room some years back, and it’s always packed on weekends. A typical summer Saturday will find eight or nine people staffing the Eberle tasting room. “May, July, August and October are our busiest months,” he said. April, June, September and November are a notch below, with December through March being the slowest months.

Silver’s experience is similar. “When I got here 12 years ago there were 22 wineries in the area. We had a nice amount of people coming to visit us, but if we had a full bar on a Saturday it was a busy day. Now we have three bars and it’s not enough. The area has been recognized, because the wines are getting better and better and better.”

With more than 200 wineries to choose from, it makes planning a Paso Robles trip a little more difficult. Now, as in Napa, visitors may want to focus on a particular area, although as Silver points out, even though he’s eight miles east of Paso Robles, it’s still only about 20 minutes from his winery to Adelaida on the west side of town. “So you can still hit your favorite four or five wineries in a day,” he said.

Silver Stone’s Tustin said the winery boom has made Paso Robles “a weekend trip, not just a day trip. You can spend time on the east side one day, the west side the next, the far-out wineries another day, and we have 11 winery tasting rooms in downtown Paso Robles (including Silver Stone). With all the restaurants and hotels coming to town, it’s become a destination.”

Silver and Eberle offered some tips for visitors to maximize their time and enjoyment.

“The easiest thing is to stay right on Highway 46,” Eberle said. “You cannot in a day hit all the wineries between Toby’s and Highway 1. There are a lot of fun wineries off to the sides, but it takes so much time driving to them. They’re very pretty drives, but if you’re trying for maximum exposure I recommend staying on Highway 46.

“For people just starting to get into wine, a half dozen wineries give full tours. We have guided tours every half hour from 10:30 a.m. to 5:30 p.m. Robert Hall has tours, EOS has self-guided tours. If you’ve never been through a winery, go through on one of the tours and you’ll get a pretty good feel for what a winemaking operation really is.”

Silver said, “There’s a couple ways to do it. Get a map beforehand (www.pasowine.com/wineries/map.php) and circle wineries you want to visit; map out your approach. A lot of people like to end with the winery closest to where they’re staying. So if you’re planning on spending the night, we have a great selection of hotels now, compared to five years ago. Restaurant wise, we have some fantastic restaurants too, places where the owner is the chef.

“Another way is to strike up a conversation with a tasting-room pourer, and if you find he or she has some knowledge of the area and is in tune with you, ask where should you go. It’s great to get suggestions from the locals. Say you’re looking for big zins and you don’t know where to go, often the person in the tasting room will know exactly where to send you.”

Other tips:

•  Plan to arrive just about the time the tasting rooms open, about 10 a.m. By doing so, you’ll get a headstart on the crowds, be able to enjoy a full day of tasting.

• Limit yourself to four or five wineries a day. That way you’ll be able to spend time at each winery and not feel rushed.

• Spit. Try not to swallow the wines. You’ll feel better at the end of the day. Wineries have plenty of dump/spit containers on the tasting-room bars, and you’ll be perceived as a person in the know rather than just part of the crowd.

• Drink plenty of water, especially if you’re not spitting. Water keeps you hydrated, also a key to feeling good at the end of the day. Wineries often have bottled water for tasters. At Eberle, for instance, it’s free for the asking.

• If you’re planning your first trip to the area, consider consulting a specialist, such as Kris Penick at Reserve Events and Destinations in Paso Robles. She’s intimately familiar with the region and can help arrange, at a nominal cost, a pleasant trip. Web address is www.reserveevents.com/index.html, e-mail kris@reserveevents.com, or phone (805) 237-0400.



France: Champagne, Rhone River Valley, Alscace

Sometimes it’s easy to overlook an old friend when the sexy new kids are grabbing your attention. That seems to be what’s happened to French wines in the wake of hotties Australia and New Zealand.

And certainly the two southern hemisphere cover models are worthy of your attention. Good wines are coming from there, reasonably priced wines that taste good, wines that are balanced and go with food. Easy to overlook, then, established stars; familiarity breeds contempt, so they say.

But a recent visit to France re-emphasized for me just how good French wines are and how worthy they are of your attention. They’re balanced, harmonious, love to work with food and taste great.

Which is what many of us are looking for when we open a bottle of wine. All too often these days California wines are neither balanced nor harmonious. Flavorful, I’ll grant you, due to the fact that vintners are ripening their grapes to 27, 28, 29 degrees brix (the measure of a grape’s sugar content) – I’ve even heard of syrah picked at 31 degrees brix – all in the name of getting that high numerical score from famous wine writers. Sadly the resulting high alcohol does not make for food friendliness; it does make for a quick buzz.

It pains me to say that because as a native Californian I love California wines. But I don’t love what’s happening to them. I’ve been forced to look elsewhere for the qualities I value – balance, harmony, food compatibility. The Australians, the New Zealanders and the South Americans seem to have figured this out. Not only that, they’re offering wines at reasonable prices.

Somehow lost in all this are our old friends the French. You remember them: they’ve set the standard for so many wines, and yet they seem to have taken a back seat to the new guys. Lack of PR perhaps; or bad PR: the internal squabbles concerning over-production have generated headlines, not the kind that make a marketing director’s job easy.

Other European countries are faring well: Italy is making superb wines that, with their crisp acidity and food-friendliness, are selling well in this country. Spain seems to be the new darling of the American wine media – deservedly so; good wines. A revived interest in reisling is shining the spotlight on Germany. Even Austrian gruner veltliner is generating attention.

You should also be looking at French wines because, simply put, they taste great. We recently visited France, making stops in Champagne, the Rhone Valley and Alsace. At each stop we found committed, dedicated winemakers making splendid wines that were so balanced, so harmonious, so food-friendly – just downright delicious – we thought we had died and gone to heaven.

  The great news? Virtually all the wines described here are available to you in Bakersfield; and if you have trouble finding them here, you can certainly find them elsewhere in California. 

Champagne 

Sometime one of these summers I want to return to Reims because I have found a fantastic Champagne bar. You sit on the sidewalk under an umbrella overlooking cathedral square – Reims’ cathedral is spectacular – and have your choice by the glass of virtually every Champagne made in that beautiful region. No doubt you can get some exquisite fois gras, too. I envision a blissful afternoon chatting with passersby (my French is passable), fellow imbibers. Simply grand.

And one of the sparklers I would chose would be Champagne Deutz. Deutz is in the neighboring city of Ay, about 20-minutes drive south of Reims. Ay is smaller than Reims, but no less important to Champagne than its neighbor. Drive down Ay’s streets and pass Champagne house after Champagne house.

Turn into the courtyard at Deutz and step back in time. It’s the home of William Deutz, the house’s founder, beautifully preserved. In the courtyard is a statue of a cherub, named Amor de Deutz. Tradition seeps from every nook and cranny.

Yet innovation is everywhere beneath the veneer. The latest technology is visible throughout the winery: computer-controlled fermentation tanks, mechanical riddlers (devices that turn the bottles during secondary fermentation), a modern distribution system. “We’re an old lady with a new skin,” said Etienne Defossé, Deutz’s European sales manager.

Yet for all that it’s also a house steeped in tradition. Founded in 1838, Deutz owns 42 hectares (about 100 acres) of vines, which accounts for about a third of its production, Defossé said. “There’s a big effort on the part of our president, Fabrice Rosset, and our winemaker to keep good relations with the growers,” who provide two-thirds of the fruit for Deutz production.

“We buy fruit only from the center of the (Champagne) region,” Defossé said. “It’s very important for quality. Fruit from each village and grower is harvested and vinified separately. Our production is relatively small (about 150,000 cases), and unlike the big guys, who follow a recipe in advance, our winemaker knows every one of the lots and makes adjustments if necessary. Our wines are handcrafted.

Deutz has seven Champagnes, each with its own distinct personality. And both Defossé and Rosset say unequivocally that the Brut Classic, which comprises 85 percent of the company’s production, is its most important product.

 It’s a blend of a third each pinot noir, chardonnay and pinot munier; only free-run juice is used, and it spends three years on the yeast before its release. “The grapes are from the heart of Champagne,” Defossé said. “The longer a Champagne spends on the yeast the smaller the bubbles. The smaller the bubbles the better the quality.

“The success of Deutz is the success of Classic,” he said.

Added Rosset: “We will never sacrifice quality on the Brut Classic. As a Swedish wine writer once told me, ‘Everyone in Champagne makes a good quality prestige cuvee, but only a few pay attention to their (regular) cuvee.’ If we ever did anything detrimental to the Brut Classic, we would shoot ourselves in the foot.”

The Brut Classic has a creamy texture with fruit-forward flavors, a nice crispness and a broad palate – a sublime wine. “Our philosophy is drink it right away and enjoy it for maximum freshness,” Defossé said.

Additionally, Deutz has a vintage brut, the superb Cuvee William Deutz, a vintage blanc de blanc (elegant), three rosés, arguably one of the most exclusive of all prestige cuvees, the Amor de Deutz.

The Amor de Deutz was created in time for the new millennium, Rosset said. “But it’s not just for the millennium. It’s 80 times smaller (production) than Dom Perignon and 15 times smaller than Cristal, so it’s very exclusive. It’s a blanc de blanc and deserves the stature of a prestige cuvee. It’s the crème de la crème.” Tiny-bubbles doesn’t begin to describe it; and the flavors are subtle and complex. It has a sensual texture and creaminess. If you get the opportunity to try this beauty, seize it. “To create it we had to go deep into the culture of our company,” Rosset said. “Partly, yes, it was for the new millennium, but part of it was the awakening of a sleeping beauty. We are condemned to produce good quality, and this beautiful house deserves it.”

Rhone River Valley

 Tournon sur Rhone, some 45 minutes south of Lyon in the Rhone River Valley, is in stark contrast to Champagne, yet is no less beautiful. It’s a medieval town with an old tower on a hillside overlooking the town and surrounding region, the last of three original towers that formed the town’s defenses during the Middle Ages – hence the town’s name. You still walk through the old medieval gate, and stroll down narrow streets where people have walked and talked for more than a thousand years.

Unlike Burgundy farther north on the Rhone, the hills rise sharply from the river here. Vineyards drape the steep slopes and dot the hilltops. This is the land of syrah, and of marsanne, roussanne and viognier.

Bruno Gosset, the European sales director for Delas, a sister winery to Deutz, said the infusion of technology and modern equipment has brought Delas into the 21st century. The modern winemaking facility was built in 1981, and in 1998 a new crush facility was added.

Much like Deutz to the north, Delas, which has been in business a long time – since 1835 – and has seen a huge makeover in recent years. “In the last eight years, we’ve invested 11 million euros in Deutz and 5 million euros in Delas,” Rosset said.

Gosset said the winery owns 30 hectares (about 70 acres) of vineyards between three of the principal appellations in the Rhone Valley: 18 in Crozes Hermitage, 10 in Hermitage, and two in St. Joseph. Another 50 hectares are contracted with growers in Condrieu and Cote Rotie. The winery produces 125,000 cases a year, of which half is sold abroad.

As at Deutz, quality is the watchword at Delas. Little innovations in the winery help, such as the barrel racks with rollers that allow the winemaker to roll the barrels over to distribute the lees, rather than have to stir them. “The winemaker only has to roll it twice,” Gosset said. “It’s gentler and more efficient.”

Delas’ wines exemplify the different appellations. The 2004 Crozes Hermitage Tour D’Albon, aged 60 percent in barrel, 40 percent in stainless steel, is a fruit-forward, friendly wine that just says have another sip. “It’s very much in the spirit of the appellation,” Gosset said. The 2003 Crozes Hermitage Les Clos, 100 percent aged in oak, is beautifully balanced with deep, rich, syrah character. It, too, reflects its appellation.

In stark contrast is the 2003 St. Joseph Francois Tournon, 60 percent barrel aged, 40 percent stainless steel. A small appellation, St. Joseph only has 1,000 hectares planted to grapes. This wine is more tannic with a minerality, reflective of the tiny appellation. “It’s more an expression of the terroir,” Gosset said. “The Crozes Hermitage is more an expression of the grape. The St. Joseph needs more time to soften.”

The 2003 Hermitage Marquise de la Tourette, which is deep and concentrated, is reminiscent of California syrahs. It’s more tannic than the two Crozes Hermitages but less so than the St. Joseph. The longer it breathes the more complex it becomes. Superb!

Looking at the whites, the 2004 Hermitage Marquisse de la Tourette, a marsanne, is rich and ripe with melon flavors and a mineral note; soft and elegant. Excellent!

The 2004 Condrieu La Galopine, a viognier, prompts a smile from Gosset. “La Galopine is the word for naughty children because viognier is such a difficult grape to farm,” he said with a laugh. The reward is in the glass: a subtle wine, delicate, each taste offering something different. “I think of it as capricious,” Gosset said. 

Alsace

It reminds me of Burgundy with its gentle slope up from the Rhine River; but with medieval castles dotting the landscape it has a charm all its own. This is a region that France and Germany have haggled over for centuries; it became German after the Franco-Prussian War in 1870-71; it reverted to France in 1918 at the end of World War I, then was back under German control during World War II. People here speak both French and German – plus a unique Alsatian dialect – and the cuisine is a unique blending of the two cultures.

The grapes grown here might be mostly German in origin, but the wines are decidedly French in their expression. Reisling is the favored grape, but pinot gris, pinot blanc and gewürztraminer also have a strong presence. And that expression shows up on the label: Alsace is the only region in France producing wines labeled by varietal.

History is everywhere. “The first vineyards here were planted in the third century by the Romans,” said Severine Schlumberger, who with her uncle runs Domaines Schlumberger in Guebwiller, a small city southwest of Colmar. “We found a Roman coin on the property from 207 A.D.”

Schlumberger’s family has been in Guebwiller since 1810, when it founded a textile company that is still in business today. They also began acquiring vineyard land, and by 1919 the family had increased its holdings to 140 hectares (about 350 acres) of vines.

What distinguishes Guebwiller from most other Alsatian vineyards is its terrain. Guebwiller is tucked up into a V-shaped inlet in the Vosges Mountains. The surrounding steep hillsides are home to many of Schlumberger’s vineyards. “We still use horses because of the steepness,” Schlumberger said. “Horses don’t compact the soil as much.”

Old stone walls up the hillsides create tiers for the vines, plus a narrow track where Schlumberger navigates her Land Rover. “These walls are made like Roman walls,” she said, pointing to dates on the walls – 1826 on one section, 1923 on another. “The walls store the heat from the day and release it at night,” she said.

Schlumberger has a living museum, a section of its vineyard planted as the Romans planted their vineyards; another section is planted as vines were during the Middle Ages.

The family’s motto is you’re never working for yourself – you’re always working for the next generation. Severine, at 32, is the next generation, the seventh generation to run the winery. “My dream is to have my younger brother, who is really good with financials, to be with me in the winery,” she said.

But she never stops working to improve. “The day you say you’re the best you might as well close your doors,” she said.

Up the road a few miles in the village of Ammerschwihr, almost due west of Colmar, J.B. Adam has been making wine twice as long: the house was founded in 1614. Company President and winemaker Jean-Baptiste Adam is proud of the company’s past, but as the 14th generation to run the winery, he’s also proud of the innovations he’s brought to the process. “It’s a blending of technology and tradition,” he said. On the one hand he’s still using ancient oak casks that date from 1883. On the other, modern pneumatic presses gently press the juice from the grapes.

He’s also attuned to organic farming practices. “We make our own compost here,” he said. “It’s difficult but worthwhile. There’s much more life in the soil than there was before. As a result we have less quantity but better quality.

He’s hopeful that one of his three daughters – they’re 20, 18 and 13 – will follow in his footsteps. The middle daughter is studying enology in college. If she were to join her father at the winery, that would make the 15th generation to run the family business.

Adam sees a growing interest for Alsatian wines in the U.S. market thanks in part their moderate alcohol levels. “We see that our customers want wines with fruit flavors and for pleasure, but not too heavy. … I am an optimist; if quality and price are OK, then the U.S. market can be a good market for Alsace. But we have a lot of work to do, to get people to try our wines and introduce them to Alsatian wines.”

Adam’s favorite grape is reisling. “I hope that in the next 10 years we’ll see a great interest in the world for riesling,” he said. His hope is fueled by what he sees happening in the United States. “We’re seeing more interest in Alsatian wines,” he said. “Twenty years ago in the United States people saw no difference between German and Alsatian wines. Now, in the last 10 years they’re recognizing the difference. So I see a good market there in the future. American people seem to like the fruity wines, and that’s perfect for Alsace. Here we have wines that pair with all the foods of the world.”

Jean-Christophe Bott of Domaine Bott-Geyl, just a few minutes up the road in Beblenheim, agrees with Adam. “There’s more pop in riesling because it’s the greatest white grape variety,” he said. “It’s replacing chardonnay as the world’s favorite wine. As chardonnay was in the last decade, riesling is becoming in this one.”

Bott makes five rieslings from five different Alsace appellations, two from grand cru appellations. Each pairs best with different foods. He also makes four different pinot gris, four gewürztraminers, a pinot noir, three sparkling wines and a collection of late-harvest wines. To taste his wines is to taste Alsace in all its myriad complexity.

“The different flavors come from the different soils,” he said, “sandstone, granite, clay and limestone.”

This gem of a winery is easy to miss, although many signs in Beblenheim point you in the right direction. It’s located in a neighborhood, and without the signs you’d never guess a winery was there. But the neighbors know. They drop in all afternoon to chat with Bott or his wife, Valerie, and of course buy wine. The Bott’s two young sons, Pierre-Antoine and Arnaud, also wander in and out. It’s a relaxing and pleasant atmosphere.

So, too, is the Caves du Hunawihr in the picturesque village of Hunawihr, a few minutes drive from Beblenheim. Caves du Hunawihr is a cooperative that draws fruit from 15 different terroirs, said Greg Schlagdenhauffen, the co-op’s international sales manager. “We have 120 growers who are members, but 40 of them are the biggest part of the operation,” he said. “We’re rated the No. 1 wine co-op in France.”

Among the Rieslings that Schlagdenhauffen offers is one from Clos St. Hune, “reputedly home to the world’s best Riesling,” he said. “It’s from the heart of Alsace.”

Like the other Alsatian wineries we visited, Caves du Hunawihr is a blend of tradition and technology; modern equipment and techniques are employed in the winery, while tradition supplies the fruit.

Schlagdenhauffen said the co-op is planning a significant marketing effort in the United States.

Which means you’ll be able to find his wines, along with those of his neighbors at stores in Bakersfield or elsewhere in California, and exciting prospect since these wines taste great, are beautifully balanced, and pair well with diverse foods. Enjoy!



 LA Weekend wine getaway: Disneyland & Beyond

Suggest a weekend wine getaway to Los Angeles, and the first thing that likely comes to mind is Disney’s California Adventure. And why not? It’s got everything right there for you to enjoy the California wine experience without ever leaving the confines of the amusement park.

Check into one of the four hotels at the Disneyland Resort, and head for “Seasons of the Vine, a Window into Wine Country.” There’s a winery there – Golden Valley Winery – a vineyard, information about the entire winemaking process and the seasonal challenges faced by vintners. The Wine Country Trattoria and TheVineyard Room, both at Golden Valley Winery, offer wine and food pairing sure to make you salivate. There’s also the Terrace Wine Tasting. Yep, it’s the Reader’s Digest tour of the state’s wine industry.

It’s appropriate that Disney’s California Adventure and its winery attraction is in Anaheim, because Anaheim was originally founded in 1857 by two German immigrants, John Frohling and Charles Kohler, as a wine and vineyard colony. Oranges didn’t come into the picture until the 1880s after Pierce’s disease wiped out the vineyards.

For many visitors to the state, Disney’s California Adventure is about as close as they’ll get to the real deal. So it’s an important attraction.

But not far away from Anaheim IS the real deal – historic wineries that recall a time when the Los Angeles area was the state’s biggest wine region, a time when agriculture, not high-rises, was still a major Los Angeles economic component, a time when wine was king.

It’s mostly gone now, of course – pulled out, plowed under and paved over by the massive tidal wave that has been Los Angeles’ growth for the past three-quarters of a century. As short a time ago as 1950, Los Angeles County was still the nation’s – yes, the nation’s – No. 1 agricultural county (that honor now belongs to Fresno County, Tulare County is second, and Kern and Monterey counties jockey back and forth for third).

At the beginning of Prohibition, in 1920, Los Angeles County had 256 wineries and 22,000 acres of vineyard land in production, according to the Los Angeles County Wine History at Cal Poly Pomona.

Los Angeles County actually has a rich wine history. Joseph Chapman planted a commercial vineyard of Mission grapes in 1824, followed a few years later by another one planted by William Wolfskill. In the 1830s, Jean Louis Vignes from Bordeaux brought French cuttings to Los Angeles and planted them, soon surpassing in quality Chapman’s and Wolfskill’s sturdy Mission wines. This was some two decades before the famed Hungarian count, Agoston Haraszthy, brought European varieties to Northern California and is credited with launching the California wine industry.

Today Los Angeles’ wine industry is a shadow of its former self, but it’s there nonetheless. It’s on the periphery, pushed to the fringe. And the vintners are as passionate about what they do as anywhere in the state.

So while you might not think of Los Angeles as “wine country,” in fact it once was and still has a remnant of that bygone era. And a weekend getaway to Los Angeles to explore the area’s wineries is a fun and different way to look at the state’s largest metropolis.

I enjoy visiting Los Angeles, and downtown has some great hotels. Two that I like are the Millennium Biltmore, a beautiful historic hotel in the heart of downtown, and The Westin Bonaventure, with its impressive architecture. Not far from either hotel – a short walk from the Biltmore – is Café Pinot, a delightful spot for dinner with a great view of downtown’s high rises. If you’re looking for something else, another of my favorite Los Angeles restaurants is Campanile
But a weekend getaway should get you away from the steel and concrete of downtown, so I suggest some bed and breakfast inns. Here are three to choose from:
Secret Garden Bed and Breakfast, 8039 Selma Ave., Los Angeles 90046, toll-free (877) 732-4736, www.secretgardenbnb.com. This delightful-looking house above Sunset Boulevard features five guestrooms and one cottage, with various antique furniture pieces, a Steinway Baby Grand Piano in the Media Room, and a Magic Chef Stove (pre-1920's) with eight burners, three ovens, and two broilers – and it’s still in use. It’s in a secluded neighborhood not far from Freeway 101, providing you access to your winery hunt. Rooms range from $125 to $175 per night.
The Bissell House bed and breakfast, 201 Orange Grove Ave., South Pasadena 91030, (800) 441-3530, www.bissellhouse.com/. Originally built in 1887, The Bissell House is southwest anchor of Pasadena's famous Millionaire's Row in what was the Orange Grove Mansion District. Anna Bissell McCay, daughter of vacuum magnate Melville Bissell, a Pasadena philanthropist, formerly called the house her home. The historic eight-bedroom Victorian home includes gardens and grounds complete with pool and Jacuzzi. Prices range from $195 to $350 per day, depending on the day.
The Artists' Inn, 1038 Magnolia St., South Pasadena 91030, (888) 799-5668, www.artistsinns.com. Located near the historic Mission West district of South Pasadena, near Old Town Pasadena. C.R. Johnson built what was once a farmhouse in 1895 for his family in the Midwestern Victorian style of his native Indiana. About five years later, Peter Mason refurbished the house with picture moldings from his manufacturing company, which distinguish the home to this day. In 1989, interior designer Janet Marangi acquired the home and started restoring it with a goal of creating an inn that would recall the heritage of the Johnson's farmhouse and old Pasadena. Rooms range from $135 to $225 per night.

Once you’ve settled into either your hotel or inn, you’re ready to explore some wineries. Be prepared to drive because, as I said, the wineries are on Los Angeles’ periphery. Let’s start by heading north up Interstate 5 then north on Freeway 14 to the Sierra Highway exit, then north on Sierra Highway 12.8 miles to the Agua Dulce Vineyards, 9640 Sierra Highway, www.aguadulcevineyards.com/index.htm.

This property is a 90-acre vineyard and winery, with daily wine tasting and tours, a gourmet gift shop, and wine sales. It’s only about 45 minutes from downtown Los Angeles, but the contrast is stark: Agua Dulce is pastoral, with plenty of elbow room. It’s almost hard to believe you’re in the same county.

Don and Cathy MacAdam founded the winery in 1999 after they realized that the 90 acres they originally planned for development had ideal soil and microclimate for grape growing. Their first release was in 2001. I have been impressed with their sangiovese, and also enjoyed their other wines, under the labels Angeles Crest and Aneas. The MacAdams are deeply involved in their operation and say they are committed “to ensuring that every visitor to Agua Dulce Vineyards and its tasting room has the best experience possible.” They live on the property with their four children.

From Agua Dulce, backtrack to Highway 14, south on I-5, then east on I-210 to I-10, then east to the Etiwanda exit; head south and turn west on Riverside Drive, then south on Wineville Road. Galleano Winery is a half-mile down the road (www.galleanowinery.com/).

Don Galleano is one of the most passionate vintners in California. He wages what often seems like a one-man crusade to save Southern California’s vineyards from the developers’ maw. His vines are ancient and gnarled, the winery a relic of the past; it’s  right next to a glistening industrial plant.

His wines are impressive. I love to collect zinfandels from different parts of the state, and Galleano’s, from the historic Cucamonga District, is special. And the cream sherry here is splendid, world-class.

Don Galleano likes to tell his family’s history: It began in the United States in 1913 when a young Domenico Galleano immigrated from the Piedmont region of Italy. For 14 years he worked and saved his money looking for the land he saw in his mind, not willing to settle for anything less. In 1927 he purchased the Cantu Ranch built sometime between 1895 and 1910. He was excited by the sandy soil of the valley and knew that it was exactly what he had been looking for. He planted his vineyards, ready to make his dream a reality. That reality has lasted five generations. After World War II, winery operations moved across Wineville Road to the existing site.

Today Galleano has 600 acres of wine grapes and is the Cucamonga Valley’s largest producer of wine and largest shipper of wine grapes in Southern California. The winery focuses on what the Nino Galleano calls “our local Zinfandel,” which had its beginnings in Domenico’s time. Galleano Winery’s Zinfandel symbolizes the valley’s history: during Prohibition, heads of households throughout the country were permitted to make up to 200 gallons of wine for personal use, and Cucamonga Valley supplied Zinfandel grapes by the trainload.

Now we’re ready to head back to downtown via I-10, and a stop at San Antonio Winery, 737 Lamar St., www.riboliwines.com/home.html.

Owned by the Riboli family, in the shadow of downtown Los Angeles, San Antonio Winery was established in 1917, three years before prohibition. The winery’s history on its website tells how in 1920, Prohibition jolted the wine industry and the majority of Los Angeles wineries closed forever. San Antonio Winery made sacramental wine for the Catholic Church and was able to survive. Nearly 75 years after the repeal of Prohibition, the winery  continues to produce altar wines for religious services. Today, it is the last of more than 100 wineries that once lined the Los Angeles river basin.

San Antonio Winery has a popular restaurant, called Maddalena Restaurant, which makes for a convenient lunch stop.

The Riboli family has invested in vineyard land around the state, notably the Central Coast, but still make their wines at this historic winery. Among its other brands are San Simeon (delightful pinot noir and pinot gris), Santo Stefano, Aliento del Sol, Maddalena and San Antonio.

At this point you could either forge on to the next two wineries or save them for the next day, depending on how tired you are. Either way, from San Antonio Winery we’re headed for Malibu. So hop on I-10 and head west to the very end of the freeway where it segues onto Highway 1, the Pacific Coast Highway, and head north to Malibu.

Don’t be too surprised; Malibu may be an enclave of the wealthy, but it also has a couple serious wineries that you’ll want to visit. And the scenery is spectacular.
Our first Malibu stop is at Rosenthal- The Malibu Estate’s new tasting room at 26023 Pacific Coast Highway, www.rosenthalestatewines.com.

According to the winery’s website, the Malibu Hills Vineyards, where Rosenthal is located, are situated at elevations between 1,450 to 1,510 feet. To the west of the vineyards is a 1,630-foot ridge that creates a unique microclimate in the hills above Malibu. The ridge holds back the cooling ocean breezes in June and July so that the vineyards have warm days; the evening temperatures drop substantially when a chimney effect is created and the cool air floods through the vineyards from nearby Vera Canyon.

The ranch and vineyards are owned by Raleigh Enterprises, of which George I. Rosenthal is chairman and chief executive officer. The vineyard produces mainly cabernet sauvignon, but also small amounts of cabernet franc and merlot. About a decade ago, three acres of Chardonnay were planted and this varietal is available in extremely limited quantities.

Also in Malibu is Malibu Family Wines, 31800 Mulholland Highway, www.malibuwine.com/. Malibu Family Wines are the Semler family’s wine operation on their 1,800-acre Saddlerock Ranch in the Santa Monica Mountains. Ronnie and Lisa Semler, along with their nine children, have lived on the ranch for nearly 30 years.

According to the winery’s website, the history of Saddlerock Ranch began more than three centuries ago when the vast expanse of land surrounding the Santa Monica Mountains was part of the original Spanish Land Grant. The area of more than 200,000 acres had sheep and cattle, and up until the 1930's, was known as El Malibu. Local caves are filled with ancient pictographs painted by the Chumash Indians, dating back to the Portola Expedition of 1769. The pictographs of this culture have become rare due to erosion and weathering, but some of the most well preserved examples remain on the ranch and have been studied by archaeologists and photographed for books on the subject. Visitors may recognize the vineyard and unusual rock formations from more than 100 movies, commercials and television shows filmed there.

The Semlers began planting their vineyard in 1997 with 14 acres of cabernet and merlot. Today the vineyard has some 60,000 vines on 65 acres, with a goal of 100 acres planted. Eight varietals are planted: cabernet sauvignon, merlot, sauvignon blanc, syrah, malbec, grenache, mourvedre and viognier.  The last four varietals are used for blending purposes.

The tasting room is open 11 a.m. to sunset, Wednesday through Sunday.
over on La Brea, about a 10-to-15 minute drive, depending on the traffic.